Cobalt Elite Fuji Pos

The best Fuji film slide emulation for your digital cameras

...Velvia 50

...Velvia 100

...Provia 100F

...Provia 400x

Modular pack for Lightroom/ACR

You must own Adobe DNG basic pack to get emulations working. This emulation pack works on Lightroom 7.3 and over/Camera Raw 10.3 and over.

$97.00

Emulation pack for Capture One

This is a tailored emulation pack made specifically for a single camera model. Please be sure to write the specific camera model during the checkout process.

$97.00

Cobalt Elite film emulations

In the past, our Kodak and Fuji film packs were renowned for capturing the unique mood of film emulsions. However, we have now taken our emulation to the next level with our high-end emulation pack. This isn’t just a mood anymore – it’s a scientific reproduction of your favourite film emulsions, brought to life on digital. Our team has spent months meticulously reducing every manageable variable in the acquisition process to ensure that we are able to offer a true emulation of these legendary film packs on digital as you can see here. We are proud to be the first in the market to offer this level of accuracy and authenticity in our digital emulations. With our high-end emulation pack, you can now experience the look and feel of your favourite film emulsions, without the hassle of traditional film processing and you can also mix digital and analog shooting keeping the same colour output.

For all available film emulations, we have captured both accurate colourimetry and contrast curve, which provides a higher initial contrast compared to the original raw file, as we aim to emulate the lower dynamic range of film. Expect almost final results with just the selection of your chosen profile if you want to enjoy accurate emulation.
Alternatively, make adjustments to the raw file while keeping in mind that you are using a Cobalt profile designed to maintain colour consistency even after intense post-production adjustments.

Each colour profile is available in balanced and not-balanced versions. The balanced (B) version produces results comparable to a development and scan process that follows a fully calibrated colour workflow with the neutralization of the grey axis. The not-balanced (NB) version is acquired without considering a complete white balance calibration during scanning, providing a product equal to the originally projected slides.

We also added the linear versions for an advanced editing room.

Cobalt Neutral

Your digital calibrated image

Cobalt Elite Not Balanced

Cobalt Elite Balanced

The profile emulates a film once the grey axis has been neutralised.

Fuji Velvia 50 (120mm)

Velvia 50 is a discontinued colour slide film known for its vibrant and saturated colours. It is manufactured by Fujifilm and has gained popularity among photographers, especially those who specialize in landscape, nature, and still-life photography.

Velvia 50 has earned a well-deserved reputation as one of the most famous and highly regarded film emulsions. Its distinct characteristics make it a sought-after choice for photographers who desire intense colors, fine details, and high contrast in their images. When used under optimal lighting conditions and with precise exposure control, Velvia 50 can yield truly breathtaking results.

 

 

We dedicated extensive effort to creating this profile set, and we’re proud to present the balanced version as the pinnacle of our pack. Velvia 50 film, known for its vibrant colours, poses a unique challenge due to its distinct characteristics. Our balanced version carefully fine-tunes the profile to showcase the film’s best qualities while ensuring a natural and pleasing colour rendition. It allows photographers to capture Velvia 50’s vivid colours without compromising accuracy and realism, making it suitable for various applications, including digital displays and prints.

Additionally, we have included a not balanced version in the profile set to demonstrate the immense power and impact of Velvia 50. This rendition pushes the boundaries of colour saturation and intensity, providing a more pronounced and dynamic visual experience. It is particularly designed to maximize the film’s potential when projected using slide projectors, where the vibrant colours truly come alive and leave a lasting impression.

While Velvia 50 was initially created for slide projection, its unique characteristics have made it a sought-after film for digital displays and printing as well. Our profile set allows photographers to adapt the film’s colours to different viewing mediums while preserving its inherent beauty and impact. Whether it’s projecting stunning slides or displaying images on monitors, our profiles enhance the true essence of Velvia 50.

We deeply value the hard work we put into developing this profile set, and our primary goal is to ensure your satisfaction. We understand the challenges posed by Velvia 50, and we believe our profiles will help you harness the full potential of this exceptional film.

Here are some key aspects of the colours produced by Velvia 50:

-Saturation: Velvia 50 excels in delivering intense and richly saturated colours. It particularly enhances the vibrancy of reds and greens, resulting in images that appear vivid and eye-catching. This quality makes it a preferred choice for photographers looking to capture scenes with bold and impactful colour palettes.

-Reds: Velvia 50 tends to render red tones with a noticeable boost in saturation and depth. Red subjects, such as flowers, clothing, or even sunsets, can appear strikingly vibrant and vibrant when captured with this film. It captures the warm tones exceptionally well and adds a sense of energy to the overall image.

-Greens: Another standout feature of Velvia 50 is its ability to intensify green colours. Foliage, forests, and landscapes with lush vegetation often benefit from the film’s characteristic rendering of greens. It brings out the natural richness and depth in green tones, giving the images a distinct and captivating look.

-Blues and Cyans: While Velvia 50 is most renowned for its reds and greens, it also handles blues and cyans admirably. It retains the nuances and subtleties of these cooler hues, lending a natural and pleasing appearance to skies, water bodies, and other elements dominated by blues.

Moreover, Velvia 50’s inherent high contrast further contributes to the film’s appeal. The deep blacks and bright highlights it produces add a sense of drama and depth to the images, accentuating their visual impact. This quality is especially advantageous for subjects with strong contrast, such as landscapes with striking light and shadow interplay or dramatic architectural scenes.

Overall, Velvia 50 is beloved by photographers for its ability to capture scenes with vivid and captivating colours. It adds a distinct aesthetic quality to images, making them visually striking and memorable.

Velvia  100 (35mm)

Velvia 100 is the more modern and higher sensible film emulsion of Fuji after the legendary Velvia 50.
Is a popular colour slide film known for its vibrant and saturated colours. It is manufactured by Fujifilm and has gained a reputation among photographers for its exceptional colour rendition and contrast. Velvia 100 is often chosen by landscape, nature, and outdoor photographers who want to capture vivid and highly saturated images.

Provia 100F (120mm)

Provia 100F is a colour reversal (slide) film manufactured by Fujifilm. It is known for its exceptional colour accuracy, fine grain, and versatility. Provia 100F has gained popularity among photographers who desire a balanced and natural colour rendition with high image quality.

Colour Accuracy: Provia 100F is highly regarded for its accurate colour reproduction. It aims to provide faithful and realistic colours, making it well-suited for a wide range of subjects, including landscapes, portraits, and general photography. It is known for its neutral colour balance, with no particular bias towards warm or cool tones.

Saturation and Contrast: Provia 100F produces colours that are vibrant and pleasing to the eye, but it does not exhibit the same level of saturation as films like Velvia 100. The colour saturation of Provia 100F is more balanced and natural, making it suitable for photographers who prefer a more subtle and nuanced colour rendition. The contrast of Provia 100F is moderate, providing a good balance between shadow and highlight detail.

Fuji Provia 400x (35mm)

Provia 400X is an ISO 400 film known for its high image quality, fine grain, and vibrant colours.

About the colour rendition, Provia 400X is designed to deliver vibrant and accurate colours. It aims to provide a balanced colour palette with natural colour reproduction. The film is often praised for its ability to render rich and saturated colors, while still maintaining a sense of realism.

Lightroom and ACR


Our emulations work using a colour profile

Every emulsion has two different versions:
-Balanced std/linear
-Not balanced std/linear

To enhance the colour output, it is essential to address the issue of improper white balance during the digitalization phase, we made the  Balanced (B) version following the whole process.

The Not Balanced (NB) version is done to replicate the typical output of scans that do not conform entirely to the colourimetric process, which is a common occurrence in numerous laboratories or to replicate the output of a fresh slide after the e6 process for colour reversal film.

Included is an editing pack of presets, please read the tutorial to learn more.

 

Capture One


Our emulations work using a style made by :

-Colour profile
-Other settings

Thanks to Capture One engine, with luma, RGB curves and profile curve settings, you have the freedom to edit your image to your taste.

Please do not forget, on Capture One this will be a custom service made for a single camera model. Please be sure to write the specific camera model during the checkout process. Once received the camera model you will receive by mail the emulations in two working days.

Our grain settings are made to follow the original impact.

Cobalt Neutral
Velvia 50 NB
Velvia 50 B
Velvia 100 NB
Velvia 100 B
Provia 100F NB
Provia 100F B
Provia 400x NB
Provia 400x B
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Cobalt Neutral
Cobalt Neutral
Velvia 50 NB
Velvia 50 NB
Velvia 50 B
Velvia 50 B
Velvia 100 NB
Velvia 100 NB
Velvia 100 B
Velvia 100 B
Provia 100F NB
Provia 100F NB
Provia 100F B
Provia 100F B
Provia 400x NB
Provia 400x NB
Provia 400x B
Provia 400x B
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Cobalt Neutral
Velvia 50 NB
Velvia 50 B
Velvia 100 NB
Velvia 100 B
Provia 100F NB
Provia 100F B
Provia 400x NB
Provia 400x B
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Cobalt Neutral
Cobalt Neutral
Velvia 50 NB
Velvia 50 NB
Velvia 50 B
Velvia 50 B
Velvia 100 NB
Velvia 100 NB
Velvia 100 B
Velvia 100 B
Provia 100F NB
Provia 100F NB
Provia 100F B
Provia 100F B
Provia 400x NB
Provia 400x NB
Provia 400x B
Provia 400x B
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The whole Elite Emulations offer.

Cobalt Neutral
Fuji Pro160 NB
Fuji Pro 400H NB
Fuji Superia 400 NB
Fuji Provia 100F NB
Fuji Provia 400x NB
Fuji Velvia 50 NB
Fuji Velvia 100 NB
Fuji Neopan Acros II 100
Kodak Portra 160 NB
Kodak Portra 400 NB
Kodak Portra 800 NB
Kodak Ektachrome E100 NB
Kodak Ektar 100 NB
Kodak Gold 200 NB
Kodak Tmax100
Kodak Tri-X 400
Ilford PanF+ 50
Ilford Hp5+ 400
Ilford Delta 100 Pro
Ilford Delta 400 Pro
Ilford Delta 3200 Pro
Ilford FP4+ 125
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Cobalt Neutral
Cobalt Neutral
Fuji Pro160 NB
Fuji Pro160 NB
Fuji Pro 400H NB
Fuji Pro 400H NB
Fuji Superia 400 NB
Fuji Superia 400 NB
Fuji Provia 100F NB
Fuji Provia 100F NB
Fuji Provia 400x NB
Fuji Provia 400x NB
Fuji Velvia 50 NB
Fuji Velvia 50 NB
Fuji Velvia 100 NB
Fuji Velvia 100 NB
Fuji Neopan Acros II 100
Fuji Neopan Acros II 100
Kodak Portra 160 NB
Kodak Portra 160 NB
Kodak Portra 400 NB
Kodak Portra 400 NB
Kodak Portra 800 NB
Kodak Portra 800 NB
Kodak Ektachrome E100 NB
Kodak Ektachrome E100 NB
Kodak Ektar 100 NB
Kodak Ektar 100 NB
Kodak Gold 200 NB
Kodak Gold 200 NB
Kodak Tmax100
Kodak Tmax100
Kodak Tri-X 400
Kodak Tri-X 400
Ilford PanF+ 50
Ilford PanF+ 50
Ilford Hp5+ 400
Ilford Hp5+ 400
Ilford Delta 100 Pro
Ilford Delta 100 Pro
Ilford Delta 400 Pro
Ilford Delta 400 Pro
Ilford Delta 3200 Pro
Ilford Delta 3200 Pro
Ilford FP4+ 125
Ilford FP4+ 125
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Cobalt Neutral
Fuji Pro 160 NB
Fuji Pro 400H NB
Fuji Superia 400 NB
Fuji Provia 100F NB
Fuji Prova 400x NB
Fuji Velvia 50 NB
Fuji Velvia 100 NB
Fuji Neopan Acros II 100
Kodak Portra 160 NB
Kodak Portra 400 NB
Kodak portra 800 NB
Kodak Ektachrome E100 NB
Kodak Ektar 100 NB
Kodak Gold 200 NB
Kodak Tmax 100
Kodak Tri-X 400
Ilford PanF+ 50
Ilford HP5+ 400
Ilford Delta 100 Pro
Ilford Delta 400 Pro
Ilford Delta 3200 pro
Ilford FP4+ 125
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Cobalt Neutral
Cobalt Neutral
Fuji Pro 160 NB
Fuji Pro 160 NB
Fuji Pro 400H NB
Fuji Pro 400H NB
Fuji Superia 400 NB
Fuji Superia 400 NB
Fuji Provia 100F NB
Fuji Provia 100F NB
Fuji Prova 400x NB
Fuji Prova 400x NB
Fuji Velvia 50 NB
Fuji Velvia 50 NB
Fuji Velvia 100 NB
Fuji Velvia 100 NB
Fuji Neopan Acros II 100
Fuji Neopan Acros II 100
Kodak Portra 160 NB
Kodak Portra 160 NB
Kodak Portra 400 NB
Kodak Portra 400 NB
Kodak portra 800 NB
Kodak portra 800 NB
Kodak Ektachrome E100 NB
Kodak Ektachrome E100 NB
Kodak Ektar 100 NB
Kodak Ektar 100 NB
Kodak Gold 200 NB
Kodak Gold 200 NB
Kodak Tmax 100
Kodak Tmax 100
Kodak Tri-X 400
Kodak Tri-X 400
Ilford PanF+ 50
Ilford PanF+ 50
Ilford HP5+ 400
Ilford HP5+ 400
Ilford Delta 100 Pro
Ilford Delta 100 Pro
Ilford Delta 400 Pro
Ilford Delta 400 Pro
Ilford Delta 3200 pro
Ilford Delta 3200 pro
Ilford FP4+ 125
Ilford FP4+ 125
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